As a kid, I was a voracious reader of science fiction. I
liked the big three, Heinlein, Asimov, and Clarke, but I also read some of the
lesser luminaries, such as de Camp, Norton, and Fredric Brown. The late 60’s
saw J.R.R. Tolkien’s Lord of the Rings
trilogy achieve cult classic status, and I began to shift from more
conventional science fiction to the genre of heroic fantasy, sometimes called “sword
and sorcery.” I once read an editorial that claimed a story could be very good
science fiction and at the same time be very bad literature. It was along about
this time that I read City, by Clifford
D. Simak. I thought that City was a shining example of the point that the
editorial was making. I didn’t think it was a very good book as far as literary
merit was concerned, but I thought it was excellent science fiction.
While I was taking the legal writing course at the
University of Florida, I got the idea of trying to blend a science fiction
motif with a sort of a police procedural. The result was The Killing of Jorm Pelorvis, an imaginary opinion by the Florida
Supreme Court trying to decide precisely what the term “human being” meant. How
“human” does someone have to be in order for his killing to be deemed murder? I
thought it was an intriguing question, and I thought I came up with a rather
inventive answer. I put the story aside and completely forgot about it until
recently, when I discovered it at the bottom of a box of old papers.
I laboriously transcribed the story from a handwritten
manuscript to a digital typescript, carefully removing the anachronisms from
the text (e.g., DNA was unknown when I wrote the story). Then I wrestled with
what, if anything, to do with the manuscript. I decided to publish it on
Kindle. I had enjoyed writing the story, and someone else might enjoy reading
it. There was one huge problem with the story. It was written in the form of a
legal opinion, and legal opinions are dreadfully dull.
The Killing of Jorm Pelorvis seems to exemplify the proposition that good science fiction
is not necessarily good literature. A good novelist could probably turn the
concept into a rollicking good story, but I am no novelist. I think I’ll stick
to writing nonfiction.
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